Autumn Vibes

Sugar maples ablaze between the orchard, gardens, and barns. What a season! ⁣Thanks, Pam, for capturing the autumn vibes from this fun vantage point in the nearest of Rosslyn’s meadows.

Although leaf peeping fiery fall foliage is inevitably and justifiably the cynosure this time of year, autumn vibes are aroused insubtler ways as well.

Ripe apples and pears in the orchard. Grapes trellised along the fence line. Blueberry bushes blushing crimson. Squirrels hustling acorns into their winter larders. Deer, emboldened, arcing easily over the fence to forage the gardens and orchard. Canada geese chattering south in protean Vs, settling onto the lake or into the fields for the night…

There are so many transitions to mark this mature season.

And this year we have a new ritual this year: re-covering the high tunnel after months of open air gardening. New scissor doors will make air circulation and cooling convenient in the coming weeks when daytime solar gain can still be significant. And with a hint of good fortune we may even extend our growing season later than in the past. New experiment. New territory. New optimism. And the always new but familiar autumn vibes of light frost followed by heavy frost — gentle warning followed by mortal barrage — whittle dramatically away at the vegetable garden’s viability. But with the high tunnel it just might look a bit different this year. We hope so.

Autumn Vibes Haiku

Early the ash turns,
now maples and blueberries,
succession of leaves.
                — Geo Davis

So recently I shared a still-ripening vision of autumn, similarly infused with lyric longing and luminescence, but less resigned, less resolved, perhaps less poignant. In “September Twangs” the micro poem wasn’t puerile, but it did sing with the intoxicating twang of exuberance and curiosity. The poem above, though a mere sliver of a season, nods to the inevitability of fall’s flourish fading. If the earlier haiku was a ginger, matinal perspective, a youthful perspective when autumn was just arriving, this October haiku is less twang and more the sound of fireworks fading. Perhaps a sonic boom echo-doppling into the forests and hills, perhaps a casdade of delicate cracklings decaying downward, twinkling sparks like celestial petals falling free of their blooms, bending toward gravity’s seductive beckon, then fluttering toward the placid lake’s watery mirror.